Then it just might as well be an original. If they don’t already know the song, you lose your context. RL: The whole point of doing a cover is that you’re taking something that everybody knows and changing it. NS: But “Stayin’ Alive” is a tremendously funky song to begin with. I’ll tell them that we try to do songs everybody knows that aren’t already funky. RL: Our song-selection process has been evolving as of late, but traditionally it’s a conversation between me and the singer. NS: In the case of “Stayin’ Alive,” do you remember how you selected this particular Bee Gees track? Just making sound is step one, so it’s like, All right, let’s make some noise together - and, honestly, most of the time there’s some element that we find inspiring in that first bit of noise that we make together, and then we chase that rabbit until we have an arrangement. Jack Conte: I’ve found that starting with anything is kind of the trick. A drummer will start playing something, or a bass player will start playing something, and we’ll try to follow that and see where that leads us. The most natural way for that to happen is that someone will just start playing something - so we try to leave room for that to happen by not coming right out the gate with an idea or telling people what to do. Ryan Lerman: Most sessions start with Jack and I looking at what the moment gives us: We’re trying to capture lightning in a bottle, so most of these sessions are just trying to wait for the spark. Do you start a lot of Scary Pockets sessions like that? I thought there would be some conversation where you guys touched base and figured out a plan, but instead Ryan counted to four and everyone just started to groove. Nate Sloan: The very first thing that happened in this session was that Ryan did a count-off.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |